This blog post asks you to employ your knowledge of the elements of drama in relation to the stage play The Book of Mormon. Choose three to four elements of drama (discussed in the first drama lecture) and consider how these are employed to symbolically represent pertinent American issues in the performance of the musical. In other words, you need to consider how the theatre techniques employed by the director and company critique, endorse, criticise or expose particular American themes. For example, you might focus on a character that is a caricature of a particular American type OR you might focus on a piece of set or a prop that symbolises some aspect of American life.
There are many elements implemented in the Broadway musical The Book of Mormon that critique the American themes and culture. There are four elements I want to discuss in this post in regards to the broadway show The Book of Mormon: movement, symbols, place and human context.
Symbol
There were many symbols that were implemented in the musical but there is one scene where symbols resonated the most with American culture and its capitalism. In the opening scene it started off with billboards of big companies that represented the capitalism of America. These billboards consisted companies such as: McDonald’s, Walmart, Crown Casino and Wendy’s. The billboards in the background represent the capitalist industries/companies in America. This is something that was brought up by Nick Burns, a lecturer from NYU about the gentrification of these companies moving in and therefore creating a capitalist society.
I also think the Mormons themselves are symbolizing the American people or even a large popularity of the world. That society, like Mormons, believe in some false and they they continue to follow the rules (the capitalist game) they will reach the top.
Movement
In the musical, the audience seemed to really respond and find the movement of the characters humorous. Which really gave me an insight on what they found funny. There was something in particular in the opening scene when the narrator is describing the history of Mormons and Mormon begins digs and then does leg pop and skips away, the audience and myself laughed at this as this melodramatic movement as came off as humorous: “Christ leaves and Mormon begins to write and dig” (1).
Movement was also essential when it came to Mormons there posture and how they walked, when in contrast to Arnold Cunningham it showed that the other Elders were following the rules and were disciplined and that Cunningham was the one that was going to disobey and this is evident when he makes things up: :youre making things up again Arnold”.
You can even see in the image below all the Mormons standing up straight while Cunningham is in the back with his back slightly slouched.

Place
The place I want to discuss is how they set Africa in production. This represented which was explained in James’ lecture as “The Single Story”. The way Africa was presented is how everyone thinks Africa is like, totally disempowered, no proper housing, the rugged look of the set showed the bubble of which Americans live in and how mislead they are by what they Africa is as they thought it was like The Lion King: “OH-BOY -Like the Lion King”.
Human Context
The human context is an important element in this production as the relationships the characters had with each other and the places is coherent with American culture. The relationship of Elder Price with Elder Cunningham most resonated with the selfishness of American culture, which is evident in the song “You and me but mostly me”. The song represents an underlying message about the flawed capitalist game where in order to succeed in America others must be put down “Theres no limit to what we can do – Me and you./ But mostly Meeeeeee!” (15).















